SOMEWHERE IN AFRICA

WE APPLAUD CREATIVITY !

http://www.culturalcollaborative.org

ADINKRA

"Greenie", an inspiring teacher at the Francis W. Parker School in Chicago, comes to Aba House every summer for an art "fix". Not trained as an artist she just needs a little help getting started, but once on the right track there's no stopping her. Here are a few photos of ADINKRA being taught in "Greenies" classroom. 

ADINKRA is a good hands on way to introduce students of any age to African culture. The stamps are easy to handle and each has a meaning based on an African proverb.

We sell the stamps. Our best customers are artists and teachers.

Interested? Contact us  aba@culturalcollaborative.org

more from Lou

If you're wondering what it's like to shop in Ghana,here's a dispatch from Lou:

Now I'm feeling much more at home in Africa. We took a taxi through all parts of crowded Kumasi to a street that has some bikes in front of the shops in addition to all sorts of hardware and housewares. Some shops sold new bikes. The taxi driver was somehow able to double park amidst the chaos while I haggled with the guy over a cheaper 18 speed mountain bike called a Sportek that had stuck shocks and  looked to still have some life left in it. People were loud and I mean the place was hectic with shoppers and small taxis. With Ama's help my price was $65.00. After 10 minutes the shocks started working so I am happy. I found a way back to the hotel that we first stayed at so that I can get on the internet without needing a taxi.
I'm soaking it all up because it sure is different from where I live.

Honeymoon at Aba House

Lou and Ama came to Aba House for their honeymoon. Ama is from Kumasi, Ghana and Lou from Idaho, USA so they both experience living in two different cultures.

This is an excerpt from something Lou wrote on a trip to Ghana. If you'd like to read more about him his website is floufox.net

Many years ago a friend told me he was planning to go to Africa for the soul he was searching for. I understand now and I feel it. And as much as I want a piece of that, maybe it would be best to just pass through and not try to live with my values in it for very long. There is an African personalty, perhaps caused by the heat, that sucks the energy out of people who want to dig down and get things done.
So I go through the culture shift - not shock - of loving the place while thinking I'm in a big amusement park of amazing venues.
Come and see for yourself and enter the world smoothly with a guide like Ellie. You will feel welcomed by Ellie at Aba House, not far from Ghana's capital. I sure was. Cross Cultural Collaborative immerses you in the culture and Ellie's background as a teacher keeps one's curiosity alive.

storytelling at Aba House

This is a guest blog from Sharon Kennedy (sharonkennedy.com) a professional story teller who came to Aba House in Jan. 2013.


In January this year I went to Ghana in West Africa for three weeks. I am a professional storyteller and I perform many kinds of stories including folktales and historical stories for children and adults. Sometimes the desire to collect folktales instead of just reading them in books leads to an urge to travel. This is what brought me to Ghana.
And so the story starts: we were on a rooftop in Nungua, a suburb of Accra, at a place called Aba House, a cultural compound for visiting and native artists and educators. One visiting sculptor had carved giant crocodiles all around the periphery of the roof. The night was hot and humid and the light was from the moon and the stars and one hanging lantern. The ocean waves provided part of the soundtrack.
The cook at Aba House, Talk True, had arranged for three nights of storytelling. He invited two friends from the Ewe tribe “And then,” he said, “I will tell on the last night. I will be the ‘last killer.’”
When storyteller Big Joe told his tales in the original Ewe, Talk True translated, but the sounds of the Ewe language were so much more musical and intriguing than the English. Two Africans and three Americans, all drinking Talk True’s delicious, cold hibiscus drink (made with a dash of hot pepper), formed an appreciative storytelling audience and we all laughed and laughed at the punch lines. The translation was certainly conveying the story’s main message.
“Pig and Tortoise went into business together thinking they could make money. They did well until Tortoise and his new wife got greedy and started skimming the money off the top of every deal. When Pig realized that he was being cheated, he came to Tortoise for his money. Tortoise put Pig off for weeks with all kinds of tricks.
“One day Tortoise had a new idea. He folded his legs and hid inside his shell. He told his wife, ‘This is your new granite stone so you can grind pepper on it.’ Then Pig came and said, ‘Where is your husband? Where is your husband? If you don’t answer me I will take your stone and throw it into the bush.’ The woman didn’t answer, so Pig grabbed the stone and threw it away. A few minutes later Tortoise appeared and heard his wife and Pig arguing.
“‘Oh, Pig, there is no need for arguing. Your money is ready. Just go and get that stone wherever you threw it. Your money is safely hidden inside.’
“To this day Pig is still looking for that granite stone. After searching for days, he decided it must have sunk into the earth. So if you see Pig digging and digging in the ground, now you know why.”
By the end of my third night at Aba House, I had heard fourteen stories. Cephus Mensah Amabale told a story about a beautiful woman from a wealthy family with more suitors than she could count. Her family constructed a series of tests to determine which man really loved her for herself rather than for her money or her looks. Ben Kwao Adipah told a story about a chief’s wife who is unable to give him a boy child so he keeps marrying more and more wives, all of whom have girls.
But it was time to leave Nungua and travel along the coast to Kopeyia, another cultural compound specializing in drumming. On the way we stopped at Keta for lunch outdoors on the beach: fried tilapia caught that morning and fou fou (pounded cassava) with “red red,” a spicy sauce made with vegetables and red peppers. I pictured Tortoise’s wife pounding those red peppers on her granite stone.
At every beach we passed in our un-air conditioned van, we watched fishermen in brightly painted wooden fishing boats bobbing on the waves and women sorting many different kinds of fish in wooden baskets. We went to market day in Denu and everything was for sale from shoes to auto parts to towering piles of mangoes. We saw what amounted to a “fish aisle” with twenty or thirty women selling every kind of fresh and dried fish from their baskets. It had the feel of an auction as men yelled out types of fish and their prices, but not in English!
In Ghana most people speak English but when they speak to each other they use their native language. And also, although most people are Christian or Muslim, many of them practice a much older, animist African religion as well. In the small villages, the native culture--fetish priests, traditional health cures, drumming, dancing, singing, storytelling, and pottery making--is still very much intact.
Happily for tourists, friendliness in Ghana is abundant. In Kopeyia, Kofi Agbeli, our guide at the “Dagbe” compound, organized an evening of storytelling just for us. He told three stories and then I told one. Everyone sang and danced and drummed, for his stories, and for mine as well.
After we left Dagbe, Kofi called the next day to make sure that our travels were going well. At the time we were visiting two “Kente cloth villages” and buying some of the famous (and gorgeous) fabric. We told Kofi that everything was great, little knowing that we would arrive later that day (a Friday afternoon) in the city of Kumasi to find that every hotel was booked. We were hot and tired and getting a little desperate when the third hotel said “no.”
I used my storytelling skills to describe how much we needed a room and this brought quick results. Within ten minutes the hotel clerk introduced us to a former employee who hopped in our van and led us to “The Pink Panther Hotel.” There we were shown to the “Executive Suite.” It had two huge rooms, red velvet couches, an exercise bicycle, a stereo, a microwave, and best of all, air conditioning and two beds.

A little irony

This photo is from NBC News and goes with a story about Boston being on lock-down. All transport - schools - most businesses closed and streets empty.
So many people who want to go to Ghana with me hesitate because they wonder if it's safe. In my over 30 yrs. in Ghana I have never experienced anything like this. And I was there during 2 coups.
Maybe these same people would like to come visit me in Boston.

service learning

We offer a summer learning program in Ghana. We have a cultural center where authors, story makers and teachers, as well as Ghanaian artisans and local children, can converse through art and language, and create things together. SERVICE LEARNING programs can last from 2- 8  weeks during July and August.
Our programs explore the cultural,artistic and historical connections in Ghana through experimental learning and reflection.

Don't want to bring a group of students? Then come by yourself. You'll meet interesting people from all over the world. You can volunteer to work with local kids or artists or just sit on our deck and watch the fishermen.
http://www.culturalcollaborative.org